Review: HEART EYES Will Get Your Blood Pumping ByRichard Newby With a perfect blend of laughs and scares, your new holiday slasher icon has arrived.
Review: Y2K Has More Features Than Bugs ByRichard Newby Y2K is an audaciously ludicrous sci-fi horror movie blended with the sincerity of a high school coming of age film.
Demonic Instruments: The Art of the Score with THE EXORCIST: BELIEVER Composers ByRichard Newby Composers David Wingo and Amman Abbasi walks us through their collaborative process on David Gordon Green's latest.
Pulp Horror: Julius Avery On THE POPE’S EXORCIST ByRichard Newby The director discusses using a real person as a launching pad for something a lot more fantastical, and more.
THE BLACK GUY DIES FIRSTโฆ But Why? ByRichard Newby Mark Harris, co-author of a new book on Black Horror, discusses the genreโs past, present and future.
Defying Vampiric Power Structures: Nathalie Emmanuel On The Invitation ByRichard Newby Emmanuel sinks her teeth into horror and celebrates JENNIFER'S BODY.
Monster In The Bed: An Interview With THE INVITATION Director Jessica M. Thompson ByRichard Newby A stylish reinvention of the Dracula legend, blending contemporary social commentary with gothic romance and horror.
Daniel Espinosa Takes A Bite Out Of Marvel Horror With MORBIUS ByRichard Newby The director talks about bringing the comic book character to life, human trees, vampire films, and Matt Smith's chaotic energy.
Take Me Down to the RACCOON CITY: An Interview with RESIDENT EVIL Director Johannes Roberts ByRichard Newby Source material, Steve Perry and Journey (yes, the band).
WELCOME TO THE BLUMHOUSE: Four Filmmakers on the Horrors of Community ByRichard Newby A conversation with directors Gigi Saul Guerrero, Maritte Lee Go, Ryan Zaragoza and Axelle Carolyn.