Review: Leigh Whannell’s WOLF MAN Is A Different, Affecting Beast ByMichael Gingold In this reimagining of the classic Universal Monster, the horror is in the loss of humanity.
Review: Y2K Has More Features Than Bugs ByRichard Newby Y2K is an audaciously ludicrous sci-fi horror movie blended with the sincerity of a high school coming of age film.
REVIEW: Amy Adams Makes a Meal Out of NIGHTBITCH ByBJ Colangelo Marielle Heller’s monstrous musing on motherhood just misses going feral.
REVIEW: Nick Frost’s GET AWAY Is Good For A Visit, But I Wouldn’t Want To Live There ByJordan Hoffman An amusing entry in the “doomed vacation” genre, this spin on Scandinavian folk horror isn’t worth downvoting on Yelp.
REVIEW: NOSFERATU Is What A Perfect, Classic Horror Movie Looks Like ByJordan Hoffman By trusting the text and the audience, Robert Eggers’s story of undead bloodsuckers turns into a prestige picture.
Review: RITA Mixes the Grim and the Gorgeous ByJordan Hoffman Jayro Bustamante’s Spanish-language dark fantasy is unfortunately all too real.
REVIEW: Hugh Grant is Beyond Belief in HERETIC ByJordan Hoffman Scott Beck and Bryan Woods will restore your faith in the “teen girls in peril” genre.
SILENT HILL 2: How Does Bloober’s Remake Stack Up Against The Original? ByAmber T With over a million copies sold in its first week, we have a bonafide hit - but will it persuade the doubters?
Read The First Reactions To Oz Perkins’ LONGLEGS ByScott Wampler NEON has begun screening their highly-anticipated film for critics, and the early word is excellent.