Anachronistic lighting, creative IMAX format choices and using an LED wall as a drive-in movie screen: cinematographer Lawrence Sher shares how the stunning imagery in Maggie Gyllenhaal's new film was crafted.
MESSIAH OF EVIL, THE LAST HORROR MOVIE, HOSTILE DIMENSIONS, and 1000 WOMEN IN HORROR glide through an interdimensional portal into your eyeballs this month.